4x25 - Family Matters

[Prue Brianna Johnna Halliwell]

DESTINED

'FAMILY MATTERS'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the town at the sound of ‘Here I am’ by Bryan Adams.

It is calmer. No one can be seen on the streets.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON TV - ELIANA DOMINGUES can be seen in the morning news. She seems like she’s is in the middle of the streets with no one else there. No cars, no people. Nothing.

ELIANA DOMINGUES

After the events of the past weeks, San Francisco and other cities around the world seem like abandoned. People are afraid of leaving their homes. 

(pauses)

Magic is real. How can we leave our homes knowing that those people are out there? Many lost their lives in the confrontations that happened all those weeks ago.

(pauses)

Are the responsible ones paying for what they’ve done? Where are they? 

She looks straight to the camera.

ELIANA DOMINGUES (CONT'D)

Prue and Wyatt Halliwell, you must be stopped. We cannot live in peace while there is no justice for what you’ve done.

And the TV is turned off.

ON MELINDA - She has an annoyed look on her face and the remote control in her right hands while she’s holding a cup of coffee in the other.

MELINDA

They just saved us all. And they killed no one. It was the demons.

Melinda puts the remote on the counter.

MELINDA (CONT'D)

We should’ve left her be caught by a demon.

OFF TO MATT - He comes in.

MATT

You don’t mean that.

They look at each other.

MELINDA

I just want this whole thing to be over. I would love to take back my life.

MATT

Don’t worry, Aunt Mel, the FBI is securing the house.

MELINDA

Good mum and the aunts had their old contact there.

Matt heads towards the coffee machine and pours himself some coffee.

MATT

The potion will be distributed today. The cleaners have agreed to help us. We’ll get back to our lives.

MELINDA

I just hope that it works. I can stand mum always talking about what happened when Aunt Prue died.

MATT

Which never truly happened. She became a Whitelighter.

MELINDA

Indeed. But they know that it happened and Aunt Prue herself saw it when she became a Whitelighter.

MATT

Well, it doesn’t matter now. All Whitelighters and the cleaners will be working together to make people forget.

MELINDA

Will Prue and Wyatt ever forget?

MATT

As you said, they didn’t kill people. The evil energy that emanated from them did, and that was Ruby’s fault.

They stare at each other.

MELINDA

Well, that’s another one that should be ended as well.

MATT

One thing at the time. She left Prescott Manor and no one knows where she is. Blanche will locate her.

MELINDA

I hope so. What happened with Serena? Prue said that she was being kept in the dungeons of that manor.

MATT

She’s still there. Last night Prue and Wyatt created a spell that locked those dungeons for a good time. So, Serena won’t be free for a long time.

Melinda takes a deep breath. Matt has a sip of his coffee.

MELINDA

I just want to forget that this happened.

MATT

We will.

Matt puts her cup of coffee on the counter.

MATT (CONT'D)

In the meantime, why don’t you enjoy your nephew’s company before I’m back to my time?

Melinda smiles as Matt approaches her and hugs her almost making her drop the cup of coffee. They laugh.

CUT TO:

EXT. WOODS - FRANCE - DAY

A woman wearing a red cape walks with no destination through the woods. The hood covers her face.

ON HER FOOT - Barefoot.

ON HER FACE - It’s Ruby. she walks quickly like she’s trying to run from something.

RUBY

She cannot find me. I must find a way to undo this. I have to find a way for this world to become evil again.

She keeps walking quickly.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly M. Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Shannen Doherty as Prudence Halliwell

Ted King as Andy


Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Emilie de Ravin as Blanche

Alex Mauriello as Aisling (Oracle)

Peter Facinelli as Sebastian

Matt Lanter as Matt

Robbie Kay as Alex

Andrew J. West as David

Chris Wood as Ethan

Cassidy Freeman as Fiona

Michael Shanks as Angel of Destiny

Erica Durance as Alyssa

Matthew Daddario as Jared

Alexandra Daddario as Jessica

Cerina Vincent as Delta

John Barrowman as Christopher

Lulu Wilson as Ivana Prescott

Kirk B.R. Woller & Darin Cooper as The Cleaners

Jared Gilmore as Allen Trudeau

Samuel Joslin as A. J. Trudeau

Unknown actor as Cupid's voice

Unknown actors and actresses as Whitelighters and Elders

Unknown actors and actresses as Cupids

Unknown actors and actresses as Demons

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. PRESCOTT STREET - DAY

The street seems desert. People in their homes peek from their windows.

CUT TO:

EXT. HALLIWELL MANOR - DAY

A couple of FBI SUV, both black, are parked outside the manor and it can be seen that there are two people in each car.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON WYATT’S FACE - He is serious.

Wyatt is by the window staring at the outside. He seems thoughtful. He is only wearing the pants of his pajamas.

Prue is lying on the bed.

ON PRUE’S FACE - Her eyes open slowly.

She turns around on the bed and sees Wyatt standing by the window. She gets into a sitting position and stares at him for a few moments before saying anything.

PRUE

Blank night again?

Wyatt turns to Prue. He forces a smile and then walks towards the bed and sits on it staring at Prue.

WYATT

I can’t take those images out of my mind. I was a tyrant.

Prue touches Wyatt’s face softly.

PRUE

It’s not your fault.

WYATT

Prue, you didn’t break. I did. I remember that when I saw you dead, all my thoughts were to get the power to save you and ---

PRUE

(cuts him off)

Honey ---

Wyatt and Prue look each other straight in the eyes.

PRUE (CONT'D)

She used it to trick us.

WYATT

I was weak and because of that, many perished.

PRUE

It wasn’t your fault. That was all Ruby’s doing. She turned us into what we were.

Wyatt lowers his gaze.

PRUE (CONT'D)

And Jannes said ---

Wyatt raises his glance.

PRUE (CONT'D)

--- It wasn’t your fault.

WYATT

He wasn’t the bad guy after all.

PRUE

Well, to be honest, he tried to kill us a few times.

Wyatt forces a smile.

PRUE (CONT'D)

What’s done is done. We’ll have to live with the consequences. Remember that I stole Cupid’s bow and became the new boss there?

WYATT

Is it today you are going there?

PRUE

Yeah, they will probably take off my cupid powers and my ring.

WYATT

They can’t take those powers from you. You were born with them.

PRUE

I know, but I still believe that Cupid has made his mind.

Wyatt kisses her softly in the mouth.

WYATT

We still have a few hours till them, huh?

Prue smiles and nods.

WYATT (CONT'D)

Let’s be just us then.

Prue nods and then both of them kiss each other passionately. Then they lay on the bed still kissing each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

There are Charlotte, Eric, Cassandra, and Tamora. They are filling some small bottles with the potion inside the cauldron on the table.

TAMORA

This must go into the water system today

CHARLOTTE

Yeah.

Tamora stops filling her small bottle.

TAMORA

Wait. What about those who knew about us before all this?

CHARLOTTE

Don’t worry. Melinda added an ingredient to it to make sure they only forget about what happened for the last weeks and their memories will be replaced by new ones with the cleaners help. 

ERIC

Blanche’s blood was that ingredient.

Tamora and Cassandra stare at each other.

CASSANDRA

Well, I can wait for it to be over already.

TAMORA

Sebastian, mum, aunt Prue and the others are reunited Up There. Last time Sebs checked in, he said that there won’t be a punishment for Wyatt’s action since it wasn’t truly him. Or so that's what Fiona told them.

CHARLOTTE

Well, we cannot say the same about Prue. All cupids are kinda revolted.

CASSANDRA

At least we’ve got our rings back.

Charlotte nods.

TAMORA

How is Blanche going with the task of finding Ruby?

ERIC

We don’t know. It’s been days since she texted me.

CHARLOTTE

(shots Eric a look)

Instead, she texted me last night.

Charlotte looks at the others.

CHARLOTTE (CONT'D)

She hasn’t found her yet.

ERIC

Why is she texting you?

CASSANDRA

Let’s just hope she finds her soon and puts her in her rightful place. 

They all nod and keep filling the bottles.

ON THE TABLE - There’re a few small bottles on it.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - DAY

Ethan, Pandora, and Henry are there. They seem like they are discussing something.

ETHAN

(mad)

I’m sorry, Pan, but I don’t want to forget.

PANDORA

It’s just the past events.

ETHAN

No. I don’t want to.

Pandora looks at her father trying to find some support. Henry shrugs.

PANDORA

It’s because you don’t want to forget what magic can do in the wrong hands, huh?

Ethan and Pandora stare at each other.

ETHAN

It’s because I am part of it now.

Ethan approaches Pandora and takes her hands between hers.

ETHAN (CONT'D)

I’m not leaving you and I won’t ask you to be who you are not. I’m part of this now.

Pandora smiles.

HENRY

Does it mean that soon you’ll ask me to marry my daughter?

Pandora and Ethan look at Henry.

PANDORA

Dad!

HENRY

Sorry, honey, but a father must be alert.

Pandora smiles.

ETHAN

Don’t worry, Mr. Mitchell, ---

(looks at Pandora)

--- We have no rush.

Pandora nods.

PANDORA

We want to know each other to the fullest.

HENRY

Don’t go too fullest.

Pandora shots her father a reproachful look.

PANDORA

Dad!

Ethan smiles.

HENRY

I’m leaving already! Need to get lunch done since I don’t see your mother coming back home that soon.

Henry turns around and leaves the room. Pandora turns to Ethan.

PANDORA

What about your mum and dad?

ETHAN

They got pretty scared with it so yes, they need to forget.

Pandora nods. Both kiss each other.

CUT TO:

EXT. SKY - DAY

A STILL view of the sky and the clouds.

CUT TO:

INT. UP THERE - BIG ROOM - UNKNOWN TIME OF THE DAY

This room seems like it has no end. It’s full of golden chairs where Whitelighters are sitting as well as the Elders on the front.

Before them are an Elder, FIONA, and an Angel of Destiny, the same one seen in previous episodes. The cleaners are seen standing beside them.

ANGEL OF DESTINY

The fate of the world has changed. Things are not longer supposed to happen the way I saw before.

Paige, Sebastian, Prudence, Andy, and Chris are there.

FIONA

Now that the future is saved, the Cleaners will work with the Halliwells to erase some memories and replace them for others.

WHITELIGHTER #1

And what about those who died? Will they be brought back to life?

Fiona and the Angel of Destiny exchange glances. Then they look at them.

ANGEL OF DESTINY

No.

(pauses)

Those who died where indeed on the Angel of Death’s list. That list cannot be changed. They died protesting against the evil, but if it wasn’t for that, it could be another thing. But they were already on the list.

WHITELIGHTER #2

And what about the Source?

Chris stands.

CHRIS

He is not the Source anymore.

Whitelighter #2 and Chris look at each other.

FIONA

Chris is right.

Chris sits down.

FIONA (CONT'D)

There’s no evil inside of Wyatt or Prue right now. They were taken to do the actions they committed.

WHITELIGHTER #2

Yeah, they always go unpunished because everybody is afraid of them.

Fiona looks at Whitelighter #2.

FIONA

That’s not true. Don’t you think is punishment enough to remember what they did since they become the Source and Queen of All Evil?

Fiona looks at them.

FIONA (CONT'D)

We knew this day would come eventually. We’ve seen it and did nothing to stop it.

The ELDERS exchange glances in agreement.

FIONA (CONT'D)

So, if we must live with our own guilty, let them deal with it. It’s punishment enough.

They all exchange glances.

FIONA (CONT'D)

This meeting is over. Wyatt will keep his Whitelighter’s powers. Period.

Elder #1 stands.

ELDER #1

And the Source’s Essence has gone back to the Demonic Wasteland.

FIONA

Yeah, that fact has been confirmed indeed.

(pauses)

You can return to your duties now while the Cleaners work.

All they start standing and leaving. Fiona and the Angel of Destiny walk towards Paige, Sebastian, Prudence, Andy, and Chris. The Cleaners SPARKLE out.

FIONA (CONT'D)

It is over.

PRUDENCE

And we can go back down there.

FIONA

Yeah, but evil doesn’t rest. And until Ruby isn’t found and captured, we must be alert.

CHRIS

We’re working on it.

ANDY

Well, we must go and help distribute the potion.

FIONA

First thing, is the government and those in charge of it. They are quiet now but soon they'll start looking for Prue and Wyatt. So, the Cleaners will start with them. No sign of what happened can remain in humans’ memories.

SEBASTIAN

What about the humans who know about us?

ANGEL OF DESTINY

Their destiny was to know. They won’t forget.

PAIGE

Just like Pan’s new boyfriend.

ANGEL OF DESTINY

He was supposed to know.

FIONA

Leave now. There’s work to be done.

Paige, Prudence, Andy, Sebastian and Chris ORB out. Fiona and the Angel of Destiny look at each other.

ANGEL OF DESTINY

Did you manage to talk to Cupid?

FIONA

I tried to, but he has made up his mind. You know Cupid!

The Angel of Destiny smile. Then the Angel of Destiny SPARKLES out while Fiona walks away.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

No one is there. Sebastian, Paige, Prudence, Andy and Chris ORB in.

PAIGE

Well, I guess I’m gonna tell my sister what happened Up There. They must be at Phoebe’s.

PRUDENCE

I’m coming with you.

Both Paige and Prudence leave the attic.

ANDY

I should get the kids back home and see Alex.

CHRIS

Do that, Uncle Andy.

Andy ORBS out.

SEBASTIAN

I think I should help with the erasing memories thing.

CHRIS

Yeah, go. I need to check on Bianca and Matt first.

Sebastian nods and then ORBS out. Chris walks out of the attic.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY

Chris comes from the attic’s stairs. He stops in front of Wyatt and Prue’s bedroom and takes a deep breath. Then he knocks.

Not a sound from inside the room. Chris takes another deep breath and knocks again.

CHRIS

C’mon, guys. I know you’re there.

He looks at the door for a few seconds and then it is opened.

Wyatt stands there already wearing normal clothes. Prue shows up behind him also wearing normal clothes.

WYATT

Chris!

CHRIS

Nothing is happening to you, brother. The Elders know it was Ruby’s doing and so there won’t be a punishment for you.

Wyatt breaths relieved.

WYATT

What about Prue?

Chris looks at Prue.

PRUE

The Elders and Cupid have a different way of thinking.

Some GINGLES are heard.

PRUE (CONT'D)

That was for me.

Wyatt looks at her.

CHRIS

Good luck.

PRUE

I took Cupid’s Bow and infected it with evil. I don’t think luck will help me even if I had my reasons to do it.

WYATT

(surprises)

What reasons?

CHRIS

Yeah, what reasons?

Prue looks from Wyatt to Chris.

PRUE

(looks at Wyatt)

To stop you from finding yourself a way to break into the Upper-Regions.

WYATT

What?

PRUE

Yeah, well. There’s a door there that leads to the other Upper-Regions and with me as the new boss, I could stop you.

CHRIS

(surprised)

Prue ---

Prue looks at Chris.

CHRIS (CONT'D)

That’s a good reason.

PRUE

For you maybe.

Prue looks at Wyatt.

PRUE (CONT'D)

I must go now.

Wyatt and Prue kiss each other softly. Then Prue BEAMS out. Wyatt and Chris look at each other. Wyatt seems worried.

CHRIS

Everything will be fine, brother.

WYATT

Will it?

Chris pats Wyatt’s shoulder.

CHRIS

Why don’t you help us with the erasing memories potion?

WYATT

I can't leave the house, Chris. People still think I am the Source.

CHRIS

True.

(pauses)

Well, I need to check on the kids and Bianca and then I’ll join the others.

Wyatt nods.

WYATT

Kiss my daughter for me.

CHRIS

(smiles)

You’ll be able to do that once we bring her back home.

Wyatt smiles. Then Chris ORBS out. Wyatt stands. He puts his hands on his pants pockets. Then he takes a deep breath. He is serious.

CUT TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - DAY

Phoebe and Piper are sitting on the couch. Across from them are Paige and Prudence sitting as well. Piper seems relieved as well as Phoebe.

PIPER

So, he won’t be punished for what he did?

PRUDENCE

No, I guess it’s punishment enough to remember what he did.

PAIGE

Even if it wasn’t truly him.

PIPER

But it was him.

(pauses)

His evil self at least.

PHOEBE

And Prue?

Paige and Prudence exchange glances. Then they look at Phoebe.

PHOEBE (CONT'D)

Coop has been there for the past days trying to reason with them and convincing them she was taken by evil.

PAIGE

Yeah, Pheebs, but she got to Cupid’s Bow.

PRUDENCE

And, for what I heard, Cupid is very mad at it.

PHOEBE

But she’s innocent.

OFF TO JO AND DAVID - They come in holding hands.

JO

Hey, guys!

PIPER

Hey, sweetie. Long night, huh?!

Jo and David exchange accomplices look. Then they look at them.

JO

I had some troubles to sleep.

PHOEBE

You were thinking about Prue?

Phoebe stands.

JO

I was. Luckily, David convinced me that I had to believe nothing would happen to her.

PAIGE

Did he?

Jo smiles.

JO

He has his ways.

David smiles.

JO (CONT'D)

Anyway, I’m late. I should be at Cupid’s Temple with mum.

Phoebe takes Jo’s hand.

PHOEBE

She needs you.

JO

I needed her my entire life. I’m not going to let go of her yet.

Phoebe smiles. Then Jo turns to David and kisses him softly. She says goodbye and ORBS out surrounded by PURPLE BEAMS.

PRUDENCE

So, she is also a Cupid with no ring. How is she going in?

PHOEBE

Cass and Charlie told me that she has free pass once she’s part cupid no matter what.

DAVID

Yeah, and besides, Cupid himself wanted her to be there.

PAIGE

Why?

DAVID

Who knows?!

They all exchange glances.

CUT TO:

EXT. CUPID’S TEMPLE - OVER THE MEDITERRANEAN SEA - DAY

The temple is surrounded by clouds.

CUT TO:

INT. CUPID’S TEMPLE - MAIN SQUARE - DAY

Many cupids are gathered there as well as cherubs. In front of them is Alyssa and some other Head Cupids. Before them is Prue. Right beside her are Coop, Cassandra, and Charlotte. The cupids seem to be mad and look at Prue with disdain. Alyssa raises her voice.

ALYSSA

Stop! This is not who we are. We don’t feel hate towards others.

CUPID #1

She made us become Angels of Hate.

CUPID# 2

(mad)

Yeah, a couple got apart because of that. Now I want to see how am I going to make them love each other again.

ALYSSA

Everything will be fixed.

CUPID #3

But she has to be punished.

Prue looks up at Alyssa. Coop turns to the others.

COOP

In Prue’s defense, it wasn’t her. This is all the Red Witch’s fault.

CUPID #2

You are defending her because she’s your daughter.

CASSANDRA

Oh, c’mon!

Cassandra turns to them.

CASSANDRA (CONT'D)

She gave us time for us to hide our rings.

CUPID #3

Yeah, but we had to hide afraid of the Evil Queen.

The cupids start shouting out loud the words: Evil Queen.

ON PRUE’S FACE - She smiles sarcastically as she hears them calling her that.

Alyssa signs them to stop.

ALYSSA

It is Cupid’s decision to punish or not Prue. She is a sister of ours. Don’t ever forget that.

CUPID #2

She should be stripped of her cupid’s powers.

CHARLOTTE

She cannot be stripped of her cupid’s powers, dumb ass. It’s her birthright.

Charlotte looks at Prue who looks her back and shoots her a thankful smile. Then Charlotte turns to the others.

CHARLOTTE (CONT'D)

I was supposed to become evil too if this evil world continued.

They all look at each other.

CHARLOTTE (CONT'D)

And in that future that will never happen now, I did it because I chose to. Prue didn’t have a choice.

PRUE

Actually, I did.

Silence now. Prue turns around and looks at them.

PRUE (CONT'D)

I chose to be good. I defeated my evil side.

CUPID #1

Then why did you become the Queen of All Evil?

PRUE

Because Ruby used me to break Wyatt.

They all look at each other.

CUPID #4

It doesn’t matter. You took Cupid’s Bow and infected it with evil.

PRUE

True. But I had my reasons.

Prue turns to Alyssa.

PRUE (CONT'D)

I did it to protect this place.

ALYSSA

Protect it how, Prue?

PRUE

Stopping it to be worse than it was. Stopping Wyatt from finding a way into the Upper Regions through this temple.

ALYSSA

But Wyatt never attempted to come in.

PRUE

Because he didn’t have time to.

COOP

That’s is true. My granddaughter sacrificed herself to bring her parents back and she succeeded.

Alyssa and the others Head Cupids exchange glances. Then Alyssa looks at Prue.

ALYSSA

Still, entering Cupid’s room and touching his Bow is a crime.

PRUE

I know and I’m ready to face the consequences.

JO (O.S.)

Then, I’m too.

Everybody looks around trying to locate where the voice came from. And BEAT. Jo is behind them all. They all look at her. Prue and Jo’s glance meet each other. Prue seems surprised.

ALYSSA

(to Jo)

We were informed that you came from the future.

Jo walks between the Cupids until she reaches her mother, aunts, and grandfather. She smiles at Prue and holds her hand. Both smile at each other. Then Jo looks at Alyssa.

JO

I was and I can assure you that it was a horrible future that one I came from.

(pauses)

There wasn’t a sacrifice there. There was no stopping the Source and the Evil Queen.

Jo looks at Prue.

JO (CONT'D)

Not until Prue herself sacrificed her own life to send my cousin here and revealed to him all the information we didn’t know.

Jo looks at Alyssa.

JO (CONT'D)

Even myself, I didn’t know that I had to sacrifice myself to bring them back to good. All that happened because of her.

Jo and Prue look at each other.

JO (CONT'D)

She fought it even when she knew she couldn’t.

PRUE

Thank you.

JO

You are my mother.

Prue smiles big. Then Jo turns to Alyssa.

JO (CONT'D)

So if you want to punish mum, then you should punish me too, because I didn’t stop it sooner.

ALYSSA

Thank you for your words ---

(pauses)

Sorry, I don’t know your name.

JO

Yes, you do. My name is Prudence Christina Johanna Halliwell. The short versions are Tina or Jo Halliwell.

Prue smiles. Alyssa and the others Head Cupids exchange glances.

ALYSSA

We must make a decision now.

PRUE

You don’t need to. I can hand over my ring if you want to.

CUPID (O.S.)

NO!

They all look around, but Cupid’s voice has not a face that they can see.

CUPID (O.S.) (CONT'D)

I can read your heart, Prue Halliwell. There is not an evil bone in there. And I understand your reasons.

(pauses)

Just make sure, evil never gets inside this temple again.

Prue smiles.

PRUE

Don’t worry, Cupid. Angels of Hate or Dark Cupids will be a race that has been eradicated.

CUPID (O.S.)

All of you leave. There’s work to be done.

They all start BEAMING out. Then Alyssa approaches Prue, Cassandra, Charlotte, Coop, and Jo.

ALYSSA

Thank God, Cupid intervene. 

JO

Why?

ALYSSA

Because everyone was voting to take Prue’s ring.

(to Prue)

Your powers are your birthright, but there were some who wanted them stripped out from you.

PRUE

I’m sorry, for what I did.

COOP

It wasn’t you, darling.

PRUE

It was me, dad.

Prue and Coop look at each other.

PRUE (CONT'D)

But that version of me had a promise to keep.

Prue looks at Jo.

PRUE (CONT'D)

Thank you, Jo.

Jo smiles.

JO

You can call me Tina if you prefer, mum.

Prue tries to hold in a tear that threatens to come out her eyes, but she can’t.

PRUE

Can I hug you?

JO

All my life, all I wanted was my mother to hug me.

Prue smiles. And then both mother and daughter hug each other.

PRUE

I think Jo suits you better, but you will always be my little Tina.

Charlotte, Cassandra, Coop and Alyssa smile as they keep hugging each other.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. WOODS - FRANCE - DAY

Blanche walks in the woods trying to find her sister; Ruby. She seems tired.

BLANCHE

You can't run forever, Ruby. Not this time.

Blanche keeps walking and glancing around.

CUT TO:

EXT SAN FRANCISCO - VARIOUS TIMES OF THE DAY

AERIAL FOOTAGE all over the town as the sun sets and the mon raises up in the sky for several days.

Last, the sun raises and all the town seems to be back at what can be called as normal. It is like not a single trace about what happened for the past months has left.

ON THE SCREEN, IT READS:

DAYS LATER

CUT TO:

EXT. HALLIWELL MANOR - DAY

The FBI cars are not there.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL - STAIRCASE

Matt, Chris, Tamora, Pandora, and Junior ORB in as Cassandra and Charlotte BEAM in. Damon SHIMMERS in bringing Melinda and Jo BEAM in bringing David.

CHRIS

Finally!

Bianca comes downstairs.

BIANCA

Is it over?

MATT

Are there still FBI agents outside?

BIANCA

No. They left a few hours ago.

CHRIS

Then, it means that it’s done. Everything has gone back to normal.

JUNIOR

Well, not everything. I mean, dad knows my secret now.

TAMORA

Our secret, you mean.

CHRIS

Junior, you know if you want, we can ask the Cleaners ---

JUNIOR

No, it’s okay. I want him to know. It’s time for Christopher to know his son and tell me a little more about my own mother.

CHRIS

If that’s what you want.

Junior nods yes.

PANDORA

Well, Ethan also wanted to keep his memories. But he wanted to erase his parents’.

TAMORA

Yeah, well. That matter has been taken care off now, we are forgetting something.

CASSANDRA

Ruby.

TAMORA

Ruby, exactly.

CHARLOTTE

Blanche is still trying to locate her. But nothing.

JO

Well, let’s hope that she can find her soon. We cannot go back to our time until that matter is solved.

MATT

Yeah, and I hope that happens fast. The longest we stay in the past ---

JO

I know. But we know we’ll go back to a new future, cous.

MATT

Yeah, I know. A future I can wait to see.

Matt looks at Bianca. Then he deviates his eyes from her.

MELINDA

Where’s Prue and Wyatt?

BIANCA

Well, they've stopped making new babies and decided to look for Ruby as well. They believe that they can help Blanche to find her.

DAMON

Sorry, you got me lost when you said making babies.

JO

Yeah, Aunt Bianca, that’s disgusting.

BIANCA

Oh no, darling. That’s not disgusting at all.

Bianca and Chris smile.

BIANCA (CONT'D)

Actually, that made me want to get back on training again.

CHRIS

What?

BIANCA

I want another baby.

Matt, Jo, and David exchange glances.

PANDORA

Oh, c’mon. You guys! Let me find my boyfriend.

TAMORA

Are you making babies too?

Pandora shoots her sister a ‘are you mad’ glance.

PANDORA

I’m out!

And Pandora ORBS out.

JUNIOR

Yeah, I’m out too before that matter reaches my own person.

Junior ORBS out too. Melinda and Damon hold hands.

MELINDA

Oh, well. Damon and I are going to have some rest.

BIANCA

Making babies too?

Melinda shoots Bianca a look.

MELINDA

Doing my bags. I’m moving to Damon’s flat soon.

CHRIS

What?

Melinda looks at Chris.

CHRIS (CONT'D)

Without marrying?

DAMON

I told her that.

MELINDA

We’ll marry later. And that’s so last century, Chris.

CHRIS

You’re my baby sister.

MELINDA

I know. But I’m also a woman and I’ve lost enough time without my Damon.

CASSANDRA

(sarcastic)

Yeah, almost marrying a Warlock and everything.

Charlotte nudges her sister.

CHARLOTTE

I need to go too.

Charlotte smiles as Melinda shoots Cassandra a look.

Charlotte BEAMS out.

CASSANDRA

I’m going too. Need to see Ivana.

Cassandra BEAMS out while Melinda and Damon go upstairs.

CHRIS

And there were just us.

MATT

Yeah, dad, we need to work on a way to get back to our time.

JO

Yeah, I don’t have a ring. So, we must prepare a spell. When Ruby is found, we must leave.

BIANCA

(to Matt)

It’s a shame. I wanted to know you more.

She approaches her son and hugs him.

MATT

We’ll have plenty of time, mum.

Matt hugs her back.

ON MATT - He has sad eyes.

Jo and David exchange glances.

DAVID

Let’s go, guys.

Jo and David start walking upstairs. Then Matt breaks the hug and follows them without looking back to his parents. Chris and Bianca look at each other.

BIANCA

Sometimes don’t you have the feeling he is not telling us the whole story?

CHRIS

Yeah.

Chris looks up as his son while he goes up. Then he looks at Bianca.

CHRIS (CONT'D)

Maybe it’s nothing, honey.

Bianca nods.

CHRIS (CONT'D)

The babies?

BIANCA

With their grandparents. Little Matt in New Orleans and Tina with Phoebe and Coop.

CHRIS

And you want more babies?

BIANCA

We can start practicing.

Chris smiles then he approaches his wife and kisses her passionately.

CUT TO:

INT. UNDERWORLD - DEMONIC BAR - DAY

The place is full of demons. They seem mad and revolted.

DEMON #1

It’s not fair we had to come back down here.

DEMON #2

I prefer to be here that caught by the Destined Ones.

DEMON #1

But we were controlling everything up there.

DEMON #2

No, we weren’t. The Witches were.

DEMON #3

It was the Red Witch who was. That crazy woman promised me to get me a place in the Source’s personal securities. All she did was to put me patrolling the streets.

All demons keep the discussion as the camera moves slowly to the entrance where a male demon comes in; Jared (33). He glances around and heads to the bar. He signs the barman to hand him something. He hears what the other demons say.

DEMON #1

There should be someone capable of taking the Source’s place and put order into this. Someone capable of break the power of nine.

DEMON #2

There’s no one capable of that. Especially if the Twice Blessed Witches are united. They are the most powerful beings on Earth.

DEMON #3

Still.

DEMON #2

What? Do you want someone controlling us?

DEMON #1

No, we want someone who is not afraid to mess with them. I’m so tired of the Halliwells.

All demons cheer.

ON JARED - He takes the drink and has a sip of it as his mind is full of some thoughts. Then he puts the glass on the counter and smirks.

Jared stands and walks out of the bar as other demons keep discussing there.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Jo and David are near the Book of Shadows opened before them. Jo is writing something on a piece of paper.

DAVID

Are you sure that spell is going to work?

JO

Not a single time travel spell has ever worked for me, but who knows! I’ve got some skills from mum.

DAVID

I like to see you and her getting along.

JO

Well, I guess in the future I’ll have a whole new relationship with her.

DAVID

And Wyatt?

Jo looks at David and takes a deep breath.

JO

Dad can’t look at me in the eyes yet. I guess he feels like he has failed me. Mum believes I should give him time.

DAVID

You’ll have your whole life for that.

JO

Yeah.

Both of them smile. The both of them look over their shoulders to Matt who’s glancing through the window. His mind seems far away from there. Jo and David look at each other.

DAVID

What’s going on with him?

JO

I think he’s afraid.

DAVID

Of what?

JO

Aunt Bianca not being there.

DAVID

Is there a chance of that happening?

JO

Maybe. I don’t know. The thing is that what happened with Aunt Bianca had nothing to do with the world we lived in. It was an old vendetta. And I know, mum and Uncle Chris joined to put an end on the witch that killed her.

(pauses)

All the talking about babies might have triggered his mind once it happened right after Phoenix’s birth.

DAVID

Yeah, but maybe now, you guys can let them know about it.

JO

I don’t think that’s a good idea. What about Vic?

DAVID

Right. If Bianca doesn’t die, Vic won’t exist.

JO

There are some things that cannot be changed.

Jo walks towards Matt and touches his shoulder.

JO (CONT'D)

Did you hear what I said, Matt?

Matt looks at Jo. His eyes are red.

JO (CONT'D)

Some things are meant to be. Some are not.

MATT

It is fair that I grow up without her, Jo?

JO

It’s not. But you can’t interfere with faith.

MATT

What did you just do?

JO

It’s different.

MATT

How?

JO

Matt ---

MATT

(cuts her off)

You know what? While you work on that spell, I’ll spend some time with mum.

JO

But ---

Jo doesn’t have time to say anything else, because Matt ORBS out. Jo looks at David. Both of them seem worried.

CUT TO:

EXT. CHRIS & BIANCA’S CONDO - DAY

STOCK.

CUT TO:

INT. CHRIS & BIANCA’S CONDO - MAIN BEDROOM - DAY

SOUND - Chris and Bianca kissing.

The camera moves slowly through the room and some clothes can be seen scattered all around the floor. Then the camera starts moving slowly to the bed where can be seen some movements.

Finally, the camera reaches both Chris and Bianca kissing and covered with the bedsheets. They kiss passionately.

CHRIS

Are you really sure you want to make more babies now?

BIANCA

(kissing Chris’s neck)

Just let’s do it. All this time without a moment to ourselves has left me on fire.

CHRIS

You know that Phoenixes get on fire when they are about to ---

Bianca stops kissing Chris and shoots him a look.

CHRIS (CONT'D)

I shut my mouth now.

BIANCA

Good!

Then they go back to kissing when ---

OFF TO MATT - He ORBS in right in front of the bed.

He looks at them for moments with an astonishing look which soon becomes a disgusting look.

MATT

Oh, my God!

Bianca and Chris stop kissing and look at their visitor. Bianca tries to cover herself to the fullest while Matt turns around ashamed.

MATT (CONT'D)

I’m so sorry, guys.

CHRIS

What are you doing here, Matt?

MATT

I just thought I could spend some time with mum.

BIANCA

Me? why? We’ll have plenty of time.

Matt turns around.

MATT

Yeah, but ---

BIANCA

Turn around.

MATT

Right!

Matt turns his back on his parents.

CHRIS

You were saying?

MATT

I was saying ---

Matt stops. He thinks for seconds.

MATT (CONT'D)

I want to spend more time with the two of you before I leave.

BIANCA

Honey, is there something wrong?

Matt turns to them.

MATT

Nothing is wrong, mum. I just ---

Bianca and Chris stare at him.

MATT (CONT'D)

You know what. You keep practicing, but no rush in having my baby sis.

BIANCA

Sister?

MATT

Just forget what I said. Keep doing what ---

Matt motions to them.

MATT (CONT'D)

You know what? I hope I don’t have memories of this in the future.

CHRIS

Good for you. We’ll have them.

Matt keeps staring at them.

BIANCA

Son, can you ---?

Matt understands what Bianca means.

MATT

Sure. I’ll see you guys later.

Then Matt ORBS out.

BIANCA

I’m telling you. Something is in his mind.

CHRIS

Well, there are some things about his future we don’t know. Maybe he is just afraid.

BIANCA

I don’t know, Chris. I have a feeling.

Bianca looks at Chris.

BIANCA (CONT'D)

You know, mothers’ thing.

Chris kisses Bianca softly.

BIANCA

Sorry, honey.

Both of them stare at each other.

CHRIS

Our own son killed the mood?

Bianca nods.

CHRIS (CONT'D)

Let’s just get ready and leave to pick baby Matt in New Orleans.

Bianca nods.

CUT TO:

INT. MELISSA’S FLAT - LIVING ROOM - DAY

Melissa is sitting on the couch and her computer is in her lap. She holds a cup of coffee between her hands and has a sip of it as she reads something from the computer.

OFF TO JUNIOR - He ORBS in front of her.

Melissa jumps and almost splits the coffee over the computer.

MELISSA

Dammit, J.! How many times do I have to tell you to not scare me like that?

JUNIOR

Sorry, honey.

Junior sits beside her and both share a kiss.

JUNIOR (CONT'D)

Everything is done.

MELISSA

So, I’ve heard. Everything is back to normal.

JUNIOR

Not everything.

Melissa puts the cup on the coffee table as well as her computer.

MELISSA

Nothing about Ruby yet, huh?

Junior shakes his head.

MELISSA (CONT'D)

She must be found otherwise she’ll find a way to do what she did. She’s an immortal witch after all.

JUNIOR

I know that.

Both stare at each other for seconds then Melissa kisses him.

MELISSA

I’ve been searching for your father. There’s not a single thing about your mother in what I’ve found. In the Internet, there wasn’t a Mia in your biological’s father past.

JUNIOR

Yeah, well. I guess I should talk to him. He must know more about her.

MELISSA

And do you think he wants to fossick his past?

JUNIOR

I don’t know. He barely talks to me.

MELISSA

He didn’t want the potion, did he?

Junior shakes his head.

JUNIOR

I’m gonna try to get close to him again and this time I’m gonna ask him about Mia.

MELISSA

Do Paige and Henry know nothing?

JUNIOR

The only thing mum said was that she found Mia almost dying and she orbed me out of her womb and raised me. Christopher got into jail and that made the adoption process easier. Then, the Elders just told her that I was going to receive powers like the rest of the family.

MELISSA

But that’s very weird. When I was at Magic School, I had plenty of time to read some books and one doesn’t receive powers just like that.

JUNIOR

Yeah, that’s why I need to find out more about my biological mother.

Melissa takes Junior’s hands between hers.

MELISSA

Do you want me to go with you?

Junior smiles and shakes his head.

JUNIOR

I think this is a conversation for me and Christopher to have just the two of us.

Melissa nods and understands.

MELISSA

If you need me, you know where to find me, boyfriend.

Junior smiles and kisses her. Then they both look each other deep in the eyes.

JUNIOR

Girlfriend.

Melissa smiles and both of them kiss again. While they’re kissing, Junior ORBS out and Melissa is just left there kissing nothing. She opens her eyes and grimaces.

MELISSA

Yeah, I’m dating a Whitelighter-Witch!

Melissa shrugs and then takes her computer back on her lap.

CUT TO:

EXT. WOODS - FRANCE - DAY

Nothing can be seen, but a woman running. Ruby runs fast and fast through the threes.

ON HER FACE - She seems tired. Like her heart is about to come out from her mouth.

She stumbles on a stone on the ground and falls on the grass.

She tries to get up, but her strength is missing so, she lies down for seconds staring at the sky.

ON THE SKY - No a single cloud can be seen. The threes cover most of the views.

ON RUBY’S FACE - She breaths fast.

RUBY

I can’t let them find me, but I need to use my powers to hide.

A tiny tear comes out from her right eye.

RUBY (CONT'D)

Mum, dad ---

(swallows)

Please, help me. Don’t let Blanche get to me until I find a safe place to hide until I can work on a new plan.

Ruby gets into a sitting position.

RUBY (CONT'D)

She is the one who destroyed my family. She is the one to blame.

Then Ruby gets up as quickly as she can and starts running fast again.

CUT TO:

EXT. WOODS - FRANCE - DAY

On another side of the big number of hectares, Blanche, Prue, and Wyatt walk slowly and glancing around every now and then.

WYATT

How are you so sure she came here?

BLANCHE

I felt her using her powers.

PRUE

How come you didn’t realize she was plotting against you if you can feel each other’s powers?

Blanche takes a deep breath.

BLANCHE

I let my guard down. Until a few centuries ago I used to visit her every now and then, but ---

Blanches stops. Prue and Wyatt stop as well and look at her.

BLANCHE (CONT'D)

--- I got tired.

Prue and Wyatt exchange glances.

BLANCHE (CONT'D)

She is my sister after all and she was there just because I put her there.

WYATT

You did what you had to do, Blanche.

PRUE

Yeah, she killed your parents and the whole village.

BLANCHE

I know. But it was my sister. No matter what. I can’t hate her.

PRUE

That’s because you are good.

Prue shoots Blanche a smile. Something crosses Wyatt’s mind.

WYATT

Wait!

They look at Wyatt.

WYATT (CONT'D)

Where is that village you were born in? I mean, where did it use to be?

BLANCHE

Not far from the Dark Tower. I used my magic to hide its ruins. I never truly went there again after that.

WYATT

Is it possible that Ruby can locate it despite being hidden?

Blanche thinks for a while.

BLANCHE

It’s not impossible. It was a blood spell I used.

Prue looks at Wyatt.

PRUE

Are you thinking ---?

WYATT

Why not? The place she always felt saved and feared at the same time. And the most obvious one.

BLANCHE

Wyatt is right. She could be back where it all started.

PRUE

Then, what are we waiting for?

(to Blanche)

Lead the way!

Blanche nods and extends her hands for them to hold it. They do and soon Blanche WHITE SMOKES out.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL / COOP MANOR - LIVING ROOM - DAY

ON CHARLOTTE - She is standing at the doorway staring at something. She smiles.

Phoebe and Coop are in the living room. Phoebe is holding baby Tina in her arms fondly. Coop smiles as he looks at his wife and granddaughter. The baby has her beautiful blue eyes opened.

CHARLOTTE

She is so beautiful, isn’t she?

Phoebe and Coop look at her.

COOP

She is, indeed.

PHOEBE

She is blonde, but yes.

COOP

Pheebs, that’s not a flaw.

PHOEBE

(pretends to be annoyed)

Oh, I know. But all my daughters are brunette.

CHARLOTTE

I wouldn’t mind the hair color my children get.

Phoebe and Coop look at Charlotte again. The smile disappears from Charlotte’s face.

PHOEBE

Honey, are you still thinking about the future?

Charlotte comes and sits next to them.

CHARLOTTE

It doesn’t get out of my mind. I can only think of Eric’s disappointment.

COOP

I see everything, but disappointment in his eyes when he looks at you, Charlie.

CHARLOTTE

That’s because the future hasn’t happened.

PHOEBE

And it has changed.

Phoebe raises her hand and holds her daughter’s hand. She squeezes it.

PHOEBE (CONT'D)

Have faith. Things are changing now.

Charlotte forces a smile.

CHARLOTTE

I hope you are right.

COOP

A mother’s heart never is wrong.

The three of them smile.

SOUND - FRONT DOOR OPENING.

Soon, Cassandra comes in followed by Eric and Ivana.

COOP (CONT'D)

Cass!

CASSANDRA

Hey, guys!

PHOEBE

This must be Ivana.

Cassandra looks down at Ivana and the girl smiles.

ERIC

And she is good now.

CASSANDRA

Already talking, right Ivana?

Ivana nods yes.

CASSANDRA (CONT'D)

Now, the one thing that remains is to find her a good home to stay.

COOP

There’s no another member of her family?

ERIC

Apparently, not.

CASSANDRA

Pan is working on that.

IVANA

She won’t find anyone to stay with me. Mum and Dad had no siblings and my grandparents are dead.

CHARLOTTE

Well, at least your whole fortune is back to you.

Cassandra shoots Charlotte a look.

CHARLOTTE (CONT'D)

Hey, Ivana, why don’t you go to the kitchen and eat some cookies. And there’s a cake we brought from the cake shop.

Ivana smiles and nods. She gets out of the living room.

CASSANDRA

Her memory, Charlie.

CHARLOTTE

She was affected.

CASSANDRA

Not totally, but the cleaners changed a few things. The traumatic part at least.

ERIC

Well, now the only thing she needs is a family.

AISLING (O.S.)

I can help with that.

They all turn around. Phoebe, Coop and Charlotte stand.

CHARLOTTE

You?

AISLING

Yes.

(smiles)

The Oracle.

PHOEBE

What are you doing here?

AISLING

I have a solution for your issue named Ivana. I just want one thing in return.

(smiles)

Do you have time to listen to me?

Aisling stares at them as they all exchange glances.

CUT TO:

EXT. SOUTH BAY SOCIAL SERVICES - DAY

People coming in and out of the building.

CUT TO:

INT. SOUTH BAY SOCIAL SERVICES - MAIN ROOM - DAY

Pandora comes holding some papers. Ethan follows.

ETHAN

I just wanted you to be the first to know.

Pandora turns around.

ETHAN (CONT'D)

I accepted the proposition. I took the position of pediatrician Eric and Blanche told me about.

Pandora smiles big.

PANDORA

That is so good. I’m so happy for you, darling.

Pandora kisses him softly. Then she looks around where all her colleagues work at their desk.

ETHAN

Wanna go out to celebrate?

PANDORA

Oh, honey ---

Pandora puts the papers on her desk and then turns to Ethan again.

PANDORA (CONT'D)

I would love too, but right now I have work to do.

Ethan grimaces.

PANDORA (CONT'D)

Remember Ivana?

Ethan nods.

PANDORA (CONT'D)

I must find her a family relative or a good family.

ETHAN

Having no luck, I can tell.

PANDORA

No. It seems like the girl has no family left.

Pandora takes a deep breath.

PANDORA (CONT'D)

And I must find a good family for her. She is the heiress to a great fortune now. I must be careful.

ETHAN

I understand. 

Ethan squeezes her arms.

ETHAN (CONT'D)

And I know, you will do your best.

Pandora smiles at him. Ethan looks around.

ETHAN (CONT'D)

Can I kiss my special girlfriend in front of all these people?

PANDORA

(seductive)

You can and you should.

Pandora drags him to her and both kiss each other passionately.

CUT TO:

INT. DAMON’S APARTMENT - BEDROOM - DAY

Melinda is putting some of her clothes on the drawer as Damon is standing, staring at her. He smiles.

DAMON

You cannot imagine how pleased I am to see your clothes back in my drawers.

Melinda stands still and puts her hands on her hips.

MELINDA

Our drawers.

(pauses)

And this time, it’s for us to make a living like a normal couple.

DAMON

Does it mean that you will say yes to my proposal?

Melinda smiles.

MELINDA

Living together first, then we think about marriage.

DAMON

But you still left somethings at the manor.

MELINDA

I know. I can’t take it all at once.

She approaches him and kisses him softly on his lips.

MELINDA (CONT'D)

Thank you for forgiving my stupidity.

DAMON

Thank you for taking me back.

MELINDA

Are you kidding me? You were the one with reasons enough to reject me.

DAMON

Not a chance, Melinda Halliwell.

He puts his arms around her waist while she puts hers around his neck.

DAMON (CONT'D)

We are meant to be, you know?

MELINDA

I know that now.

Both smile and then kiss each other passionately.

CUT TO:

INT. CHRISTOPHER MERCER’S APARTMENT - LIVING ROOM - DAY

ON THE ENTRANCE - Junior comes in calling out for Christopher and stops as he sees who’s there staring seriously at him.

There, sitting in a couch, is Christopher while in the couch across him are Paige and Henry. All three of them stare at a surprised Junior.

JUNIOR

(to Paige and Henry)

Mum? Dad? What are you doing here?

CHRISTOPHER

I asked them to come here.

Junior looks at Christopher.

JUNIOR

Why?

CHRISTOPHER

Because all things that happened for the past months, made me remember of something I asked your parents to erase from my memory a long time ago.

JUNIOR

What?

PAIGE

You’d better take a seat, son.

HENRY

It’s a long talk.

Junior stares seriously at them.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

AERIAL FOOTAGE ALL OVER THE TOWN as the sun sets and the moon rises on the sky.

CUT TO:

INT. UNDERWORLD - BIG EMPTY CAVE - NIGHT

Jared stands still in the middle of the cave. He seems like he is just waiting for something.

BEAT. Someone just FADES in front of Jared.

ON JARED’S FACE - He smirks.

JARED

I have an answer for you.

ON THE BEING IN FRONT OF HIM - It is a woman wearing a black vestment. This woman, DELTA (looks in her 30’s), is not other than an Avatar.

DELTA

You’ve kept us waiting for years. Why now?

JARED

Because I have big plans for this world.

DELTA

What do you mean?

Jared walks towards her.

JARED

I want it to be better.

DELTA

That’s what we all want.

JARED

Yeah, but now, I have my own agenda.

Delta doesn’t understand what he’s saying.

DELTA

What do you mean?

JARED

It doesn’t matter now. My answer is yes. I want to become one of you.

DELTA

Good. Omega will be glad to know. I’ll be back so we can start your transformation.

Delta FADES out as Jared smirks.

OFF TO A WOMAN - She enters the cave and starts approaching Jared from behind. Her name is Jessica and she appears to be the same age as Jared.

JESSICA

Did you do it?

Jared turns around. He smirks.

JARED

Twin sister!

JESSICA

Did you tell them yes?

Jared nods.

JARED

Get ready, sis. Once I become an Avatar, my plan of controlling it all will be fulfilled.

JESSICA

I can’t wait for that. You know what I want.

JARED

You shall have it.

JESSICA

He never looked at me back in college. I want him to have eyes for me only.

JARED

He will.

Jared approaches Jessica and touches her face softly.

JARED (CONT'D)

I’m doing this all for you, sis. If you’re happy, I am too.

Both siblings smile at each other.

CUT TO:

EXT. LANDLORD'S HOUSE - FRANCE - DAY

Nothing can be seen.

Blanche, Prue, and Wyatt are standing in the middle of threes.

WYATT

So, this is where you lived?

Wyatt glances around.

BLANCHE

No, this is what people see.

Blanche looks at them.

BLANCHE (CONT'D)

It is protected by blood enchantment.

PRUE

Blood enchantment?

BLANCHE

Yes. You see trees.

(glances around)

I see my old village.

BLANCHE’S POV - The old village outside her old house can be seen. It’s all in ruins now.

PRUE

Great. Can you make it easier for us? We can’t fight what we can see.

Blanche turns to them.

BLANCHE

No one can fight my sister, but me.

WYATT

Sorry, Blanche, but I need to see her paying for what she did with my own eyes.

(mad)

After all, she did it to us.

BLANCHE

But ---

PRUE

No buts, Blanche. Please. We need to be part of this.

Blanches glances from one to another. Then she takes a deep breath and nods.

BLANCHE

Fine. But revenge is not the solution.

WYATT

It’s not revenge.

(pauses)

It’s justice.

Prue and Blanche look at Wyatt seriously.

ON WYATT’S FACE - He is serious.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL - CONSERVATORY ROOM - NIGHT

Phoebe, Coop, and Cassandra are there staring at the person in front of them; Aisling.

AISLING

Why bringing me here.

PHOEBE

We are better here.

CASSANDRA

What is that you want, Oracle?

Aisling glances at them all.

AISLING

I said I can help with Ivana’s situation.

COOP

How come?

Aisling smirks.

AISLING

I will only speak with Prue.

CASSANDRA

Prue is not here.

OFF TO JO AND DAVID - They come in.

JO

(surprised)

Oracle?

Aisling looks at her.

JO (CONT'D)

What are you doing here?

CASSANDRA

She said she has a solution to Ivana’s situation.

DAVID

What solution? I hope I don’t find that girl in an asylum in the future.

AISLING

You won’t.

JO

So, what’s that solution?

COOP

She’ll only speak to Prue.

JO

Why?

AISLING

Because she knows my story and she’ll know what to do.

JO

Your story?

PHOEBE

What story? You are an evil Oracle.

Aisling looks at Phoebe and shots her a look.

AISLING

I’m not evil. I did what I did my entire life for a reason.

CASSANDRA

What reason?

AISLING

Survival.

COOP

You sided with evil.

CASSANDRA

Yes, and this wasn’t the first time.

AISLING

I believe we are not in a tribunal, but in my defense, I never sided with evil. I always sided by myself.

(looks at Jo)

Until I met your mother. 

(pauses)

I never told my story. But I showed it to her.

PHOEBE

You can show it to me too.

Aisling looks at Phoebe.

JO

And to me.

Aisling smiles. She looks down and then stares up at them.

AISLING

Fine.

Aisling reaches out her hands for Jo and Phoebe to hold them.

AISLING (CONT'D)

Are you ready to see what I’ve been hiding for centuries?

Jo and Phoebe exchange glances.

AISLING (CONT'D)

See. Not speak about it.

Phoebe and Jo nod and both approach Aisling. They hold her hands and suddenly all their eyes turn to white as if they’re having a vision.

ON PHOEBE, JO AND AISLING EYES - They are all white.

Coop, David, and Cassandra stare at them.

CUT TO:

INT. CHRISTOPHER’S APARTMENT - LIVING ROOM - NIGHT

Junior is pacing the room. Paige, Henry, and Christopher stare at him.

PAIGE

Son, please.

HENRY

Junior ---

Junior stops and stares at them.

JUNIOR

You’re telling me that my mother was a magical being and Christopher knew about it?!

CHRISTOPHER

I didn’t know exactly all about it. 

PAIGE

And she had no magic because of her mother, ---

(to Junior)

--- Your grandmother, bound her powers.

JUNIOR

Because my grandfather was a Darklighter?

Paige nods.

CHRISTOPHER

I knew little about it.

PAIGE

And what Christopher knew was erased by the Cleaners.

CHRISTOPHER

All that happened lately triggered all those memories. The few I had about your mother telling me who she was.

Junior sits in front of them and stares at them.

JUNIOR

All this time, you guys knew why I had powers and it was not because the Elders were friendly and granted me those powers to be part of the family.

HENRY

Son, we did it to not confused your mind.

PAIGE

And that’s not all.

Paige lowers her gaze. They look at her. Then she raises her glance and looks at them.

PAIGE (CONT'D)

I never shared this with anyone but my sisters.

HENRY

Shared what, Paige, what are you talking about?

Paige glances around.

PAIGE

The Elders were no just friendly in making you a Destined One.

(pauses)

You have the right to be one because you have Warren blood.

JUNIOR

What?

Junior, as well as Henry, is astonished.

HENRY

Paige, what are you talking about?

CHRISTOPHER

Yeah, please, elaborate.

Paige glances around.

PAIGE

What I said.

(to Junior)

You are a true Warren. A Halliwell.

They all stare astonished at Paige while she speaks.

PAIGE (CONT'D)

James Bowen was his name. He had a daughter that ran away from an arranged marriage back in the year of 1858. She was the eldest daughter of James and Iris. And no one never heard about her again.

JUNIOR

What?

Junior is astonished. Henry is too.

HENRY

Paige, why didn’t you tell me this sooner?

PAIGE

Let me finish.

They nod. Paige takes a deep breath.

PAIGE (CONT'D)

She ran away to another state and married the men she loved, she had children and her children had children until your grandmother.

(swallows)

She felt in love with a Darklighter. She didn’t know back then. So, again and as her ancestor did, she ran away from him and had your mother; Mia.

(pauses)

When the Elders told me this, it took me a long time to believe that I had in my hands a Warren descendant. 

(to Junior)

Your ancestor’s name isn’t even in the family tree. Your aunts barely believe it. I guess that we fully believed it when the Power of Nine worked for real.

(pauses)

You are a Warren descendant as much as your sisters and cousins.

JUNIOR

Am I a true Warren?

Paige nods yes. Junior stands. He is so astonished and shattered.

JUNIOR (CONT'D)

Mum, ---

Paige stands.

PAIGE

I’m sorry I kept that from you, son.

(looks at Henry)

And from you Henry. But at the time everything was so confusing. The twins’ powers and all. I didn’t want to scare you.

HENRY

Scare me?

Henry stands.

HENRY (CONT'D)

Paige, I’m your husband. I would understand.

PAIGE

I know, honey, but we all agreed in keeping it a secret until Junior himself wanted to know where he came from.

Junior looks at his mother.

JUNIOR

All my life I tried to understand the reasons for me to have powers like the others ---

Paige holds Junior’s hand.

JUNIOR (CONT'D)

I’m a Warren.

Paige nods yes.

JUNIOR (CONT'D)

I belong.

PAIGE

You always belonged, son.

CHRISTOPHER

That’s why you wanted to adopt him so much?

Paige turns at Christopher. He stands and both look at each other.

PAIGE

No. I wanted to adopt him because I felt I was his mother already from the moment I held him in my arms.

CHRISTOPHER

And I must thank you for everything that you did.

PAIGE

You don’t need to thank me.

Paige turns to Junior.

PAIGE (CONT'D)

I hope you can forgive me for keeping this from you.

JUNIOR

Mum, ---

Junior hugs Paige strongly.

JUNIOR (CONT'D)

--- I have nothing to forgive you for. You gave me a family.

ON PAIGE’S FACE - A tear runs down her eyes.

Henry and Christopher exchange glances.

JUNIOR (CONT'D)

You brought me back to where I belonged.

Junior and Paige break the hug.

JUNIOR (CONT'D)

Thank you.

Paige smiles, then she turns to Henry.

PAIGE

Honey, ---

HENRY

Don’t, Paige. You did what you thought was right.

Paige smiles.

HENRY (CONT'D)

I admire you more and more by the day.

Henry and Paige hold their hands.

CHRISTOPHER

I am the one who must thank you all. I can’t think of a better family to my son.

They all look at Christopher.

PAIGE

You are part of this family now, Christopher.

CHRISTOPHER

I don’t know if I can get used to all this magical thing.

JUNIOR

Dad, believe me, you’ll get used to it.

HENRY

It took me a while too, Christopher. Believe me, you are catching the best part now. They are adults now. When they were kids it was complicated to deal with them showing their powers all around.

Paige and Junior laugh.

CHRISTOPHER

I’ll take your word for it.

They all laugh.

HENRY

Welcome to this family, Christopher.

Both men shake their hands. They all laugh.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL / COOP MANOR - KITCHEN - DAY

Ivana is at the table having some cookies and milk. Charlotte and Eric are by the island staring at her fondly.

ERIC

What do you think is happening there?

CHARLOTTE

No idea. I just hope she gets a good family. She has gone through so much.

ERIC

True. Poor kid. Lost her mum and dad.

CHARLOTTE

Had to live with her stepmother from hell.

ERIC

She’s actually from France.

Charlotte smiles.

ERIC (CONT'D)

Any news from Blanche, Prue, and Wyatt?

CHARLOTTE

None yet.

Eric stares at Charlotte for moments. Charlotte starts noticing his eyes on her. She looks at him.

CHARLOTTE (CONT'D)

What?

Eric smiles.

ERIC

I just love to look at you.

Charlotte smiles.

ERIC (CONT'D)

So, you and Blanche are BFF now?

CHARLOTTE

I wouldn’t call it BFF, but I kinda liked her.

ERIC

Not jealousy now, huh?

CHARLOTTE

Nop. She’s too old for you and I know you like women younger than you.

Eric laughs.

ERIC

Oh yeah?

CHARLOTTE

Yeah, also a brunette.

ERIC

What makes you think that?

CHARLOTTE

Prue. Me.

Eric agrees.

ERIC

You couldn’t be righter.

Both kiss each other. Then they stare at Ivana who looks at them.

IVANA

You guys should get a room. I don’t need babysitting.

CHARLOTTE

(astonished)

What did you say?

IVANA

A room. Hand me one of your smartphone’s first and get a room.

Both Charlotte and Eric exchange astonished glances.

ERIC

You’re only twelve.

IVANA

So what? Kids nowadays know more than you, adults. 

She reaches out her hand.

IVANA (CONT'D)

Now, your smartphone. With Netflix, please.

Eric and Charlotte laugh.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON PHOEBE, JO AND AISLING’S EYES - Each is shown one by one. They turn to normal.

Cassandra, David, and Coop look at them as Jo and Phoebe stare at Aisling.

PHOEBE

My God!

AISLING

(smiles)

Yes. Now you understand.

JO

I’m so sorry.

CASSANDRA

What did you guys see?

Phoebe and Jo turn to them.

AISLING

No one can know.

Phoebe and Jo look at Aisling.

AISLING (CONT'D)

If they find me ---

PHOEBE

No one will know.

Aisling nods. Phoebe and Jo look at the others.

PHOEBE (CONT'D)

Sorry, but this is something that belongs to her and we can’t share.

COOP

That bad?

Phoebe looks at Aisling.

PHOEBE

Let’s say that she’s not that evil.

Aisling shoots a thankful smile at Phoebe.

OFF TO CHRIS AND BIANCA - Chris ORBS in bringing Bianca who holds baby Matt in her arms.

CHRIS

Hey, guys|

Chris and Bianca look at Aisling.

BIANCA

What is she doing here?

JO

We must wait for the whole family to be together. There’re decisions to be taken.

CHRIS

About what?

AISLING

About Ivana Prescott.

Chris and Bianca exchange glances.

JO

Where’s Matt?

DAVID

(to Chris and Bianca)

He left to meet you guys.

BIANCA

He did and he found us.

CHRIS

In the most uncomfortable way.

CASSANDRA

Where is he now?

They all exchange glances. Aisling approaches Jo and toucher her arm.

AISLING

You know where he is.

Jo looks at her.

AISLING (CONT'D)

Somethings are just meant to be. He must understand.

Jo nods. And then she ORBS out surrounded by PURPLE ORBS.

BIANCA

(to Aisling)

What does it mean?

Aisling smiles.

AISLING

You will understand when the time comes.

Both Aisling and Bianca stare at each other.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - NIGHT

VIEW at the Golden Gate bridge.

CUT TO:

EXT. TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Matt is sitting on the top of the bridge.

ON MATT’S EYES - They are red as if he has been crying a lot.

Matt swallows.

OFF TO JO - She ORBS in and looks at him.

JO

This family is so predictable.

Matt looks at her.

MATT

How did you find me?

Jo sits beside him. She looks up at the sky and takes a deep breath.

JO

I just knew.

She looks at him.

JO (CONT'D)

You didn’t do it.

It wasn't a question; it was a statement.

MATT

I could tell them, but I didn't.

JO

Fate can’t be stopped, Matt.

MATT

We just stopped the future we grew up in.

JO

That’s different.

Jo puts her arms over his cousin’s shoulder.

MATT

I’ll still grow up without my mother.

JO

She will be always with you, cous. You must not forget that. Just take this opportunity to say goodbye to her.

A tear runs down Matt's face.

MATT

You are probably right.

Jo nods.

JO

The spell to get us back to our time is done.

Matt looks at Jo.

MATT

Already?

JO

I’m my mother’s daughter.

MATT

How do you know it will work?

JO

Because I took the one my mother gave you and rewrote it.

Matt looks up at the sky.

JO (CONT'D)

We should go back. Mum and dad would be back at any moment.

Matt nods then he wipes out his tears and nods.

MATT

Let’s just stay here for a little while. Just the two of us, just like when we were kids.

Jo smiles.

JO

Yeah, I think we have time.

Matt smiles. Jo keeps her arm over Matt’s shoulder and they both remain that way looking up at the sky. As brother and sister.

CUT TO:

INT. LANDLORD’S HOUSE - LIVING ROOM - NIGHT

The place is a mess and in ruins.

ON BAREFOOT - Ruby walks over the ruins of the place.

THE CAMERA SHOWS all broken ancient items all over the place. The whole place is a mess.

Ruby looks around.

RUBY

It was here where she took the most precious things I ever had.

ON RUBY’S FOOT - She steps on an old doll.

Ruby glances down and then lowers down and takes the doll. She smiles at it.

RUBY (CONT'D)

They gave it to me. Mummy, daddy.

ON RUBY’S FACE - A tear runs down her face.

RUBY (CONT'D)

I will fight back. I promise you that she will pay for what she did to you two.

WYATT (O.S.)

Ruby!

Ruby turns around and ---

BEAT. Wyatt is behind her staring at her. Ruby wipes her tear and holds the door tightly against her chest.

RUBY

Your Majesty.

WYATT

Enough with that!

RUBY

(sarcastic)

Right, you decided to let go of all the power.

(pauses)

Tell me, ---

(sarcastic)

--- Your Majesty, don’t you miss all the power?

WYATT

I’ll never forget what you did to me and Prue, Ruby.

Ruby smiles.

RUBY

I gave you a chance of a lifetime to become the one anyone should venerate and you let it go.

WYATT

You tricked me.

RUBY

Did I?

Ruby starts walking towards him.

WYATT

Stop.

Ruby does.

RUBY

Why? Are you afraid I show you again the benefits of being the ruler of a great World?

WYATT

I’m not afraid of you, Ruby. I just want to see you pay for what you did.

Ruby laughs.

RUBY

You can’t destroy me.

WYATT

You’re right.

(pauses)

But I can arm you.

ON WYATT’S HAND - He opens it and BEAT; He is holding the Evil Eye.

He shows it to Ruby.

RUBY

You kept it.

WYATT

Just for this moment.

And then Wyatt WAVES his hands and he hits Ruby with ELECTROKINESIS. She is LEVITATED in the air as the rays of energy hit her body. Ruby screams in pain still holding the doll.

OFF TO PRUE - She comes in followed by Blanche. Both stare at the scene. Prue and Blanche exchange glances.

Then Prue approaches Wyatt and touches his arm. Wyatt looks at her and both stare at each other for moments. They seem like they don’t need to talk to know what the other’s thinking.

Wyatt stops his ELECTROKINESIS. Ruby falls down the ground on the wreckage. She is alive but hurt.

Blanche walks and stands before Ruby. Ruby looks up at her sister.

RUBY

You are the reason they are not here.

BLANCHE

No, Ruby. You are the reason they are not here. You had chances to do some good, but you choose to become evil.

Ruby tries to stand, but she’s unable.

BLANCHE (CONT'D)

You will go back to the place you never should have left.

RUBY

No.

BLANCHE

And this time, I’ll make sure no one finds you ever.

RUBY

No.

At that moment, Blanche extends her hands and some WHITE RAYS come from them hitting Ruby and throwing her all across the room.

Ruby falls down the grown unconscious.

ON THE DOLL - She keeps holding the doll.

Blanche turns to Wyatt and Prue.

BLANCHE

No one can find her now.

PRUE

Let’s take her back to the tower and perform the spells to keep it hiding for good now.

Blanche and Wyatt nod. Then Blanche approaches Ruby and lowers down.

ON BLANCHE’S HAND - She caresses Ruby’s unconscious face.

BLANCHE

I forgive you, sister.

Then Blanche stands and keeps looking at her.

BLANCHE (CONT'D)

You still are the only family I have left after all.

Wyatt and Prue exchange glances.

ON WYATT AND PRUE’S HANDS - They hold each other’s hand.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Jared is there pacing the place.

OFF TO DELTA - She FADES in.

DELTA

You’ll make a hole in the ground.

Jared turns to Delta.

JARED

Did you speak to the others?

Delta nods.

DELTA

You’ll be one of us, Jared. You won’t be a demon anymore, but an Avatar. Your unique powers will work in our collective. After this, your powers cannot be used for your personal gain.

JARED

I know that. Becoming an Avatar was all I wanted for a very long time.

DELTA

Good. Then get ready to change.

Jared kneels down before Delta. A white light comes shining out of the Avatar's hands and into Jared's forehead. The Avatar starts chanting in Latin. She finishes and lowers his hands, stopping the light.

DELTA (CONT'D)

Well, how do you feel?

JARED

Alive and so much powerful.

Jared stands.

DELTA

You are one of us now. Let’s meet the others. Come.

JARED

Not yet.

Delta is surprised by his answer.

JARED (CONT'D)

I can still be one of us and have a life here, right?

DELTA

What life, Jared?

Jared smirks.

DELTA (CONT'D)

There’s no Source to serve. Our only purpose is to create a better world. And we must keep working on that. Other have failed, we don’t want to fail. When the time is right and our collective fully recovered, we will try again.

Jared smirks again.

JARED

That’s all I want to do too. But for that, I need to change some things.

DELTA

I don’t understand.

JARED

You don’t need to.

(calls out)

Jess!

OFF TO JESSICA - She comes from behind a wall.

Delta looks at her.

DELTA

What’s going on?

JARED

Sorry, Beta, but I need to get out of here.

And Jared FADES out in his new Avatar way. Delta is confused. She looks at Jessica who shrugs as she shows Delta what she’s holding in her hands.

ON JESSICA’S HAND - A small bottle.

DELTA

How do you ---?

JESSICA

I found the formula.

And just like that Jessica throws the POTION TO KILL AN AVATAR. The vial breaks on the ground near Delta’s foot releasing a grey smoke which Delta inhales. She falls to the ground, dead.

ON JESSICA - She smiles big.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Phoebe, Coop, Chris, Bianca, Cassandra, David, and Aisling are there. Piper and Leo, as well as Melinda and Damon, had joined the group. Paige, Henry, Junior, Tamora, and Pandora are there too as well as Charlotte.

OFF TO JO AND MATT - They ORB in.

BIANCA

Son?

MATT

Hi, mum.

Matt smiles at his mother.

OFF TO WYATT AND PRUE - Wyatt ORBS in bringing Prue.

WYATT

It’s done. Ruby is back to where she belongs.

AISLING

Did you find, Ruby? Great.

PRUE

(surprised)

Aisl ---

Prue is about to say her name and stops.

PRUE (CONT'D)

Oracle? What are you doing here?

CASSANDRA

She said she wants to talk to us about Ivana.

PHOEBE

And I think we should hear her.

CHRIS

Yeah, aunt Phoebe and Jo apparently know more than they are talking. 

TAMORA

And so, aunt Piper and mum.

PRUE

What is it? Where are the babies?

CHARLOTTE

Eric and Melissa are at home taking care of them.

TAMORA

Sebastian and Ethan are there too.

CASSANDRA

And so, Ivana.

WYATT

Well, we are listening.

They all look at Aisling.

AISLING

You are such a great family. 

PRUE

Just say what you have to, Oracle.

AISLING

I thought we were friends, Prue.

PRUE

We are, but don’t push it.

Aisling smiles.

AISLING

Fine. I’ll get to the point.

(swallows)

Family matters, right?

They all nod.

AISLING (CONT'D)

Then, let me be Ivana’s family.

PANDORA

What?

They all are astonished.

AISLING

She needs a mother. I never had one because it was taken from me.

Aisling glances at Prue, Phoebe, and Jo.

CASSANDRA

But you are an Oracle.

AISLING

I am more than that. But I can also live a normal life and take care of that child.

PRUE

Are you serious?

AISLING

Completely.

They all exchange glances.

AISLING (CONT'D)

Why giving her to a stranger, when I can give her the love she needs.

COOP

You worked for so many years alongside with evil.

LEO

Why should we believe you now?

AISLING

Because I did it to protect me and that’s what I want to do with Ivana. Protect her.

(pauses)

She saw things that a child should never see. She lost both her parents and one of them to magic.

(pauses)

I’ve lost that too.

Aisling looks at Prue.

AISLING (CONT'D)

You know my heart, Prue.

Prue lowers her gaze.

JO

I think we should give her a chance.

PHOEBE

Me too.

CASSANDRA

But mum ---

PRUE

They’re right.

WYATT

Prue ---

They all look at Prue. Prue looks at them all.

PRUE

It’s not evil Prue talking. It’s me. She will do a good mother to Ivana.

Prue looks at Aisling who shoots her a thankful smile.

PRUE (CONT'D)

This is all that you wanted, right? That’s why you showed me your story?

Aisling nods.

AISLING

I just want to be normal and forget what I’ve been through.

CHARLOTTE

This is insane.

PRUE

It might be.

Prue turns to Pandora.

PRUE (CONT'D)

Can it be done?

PANDORA (CONT'D)

I don’t know. Does she have documents?

CHRIS

We can get her identity documents.

BIANCA

Chris!

MATT

Dad is right. She can have a new identity.

AISLING

It would be nice to not be called Oracle again.

TAMORA

Do you have a real name?

JO

She cannot use it.

AISLING

True.

WYATT

Then what would you want to be named?

Aisling smiles.

AISLING

Althea.

CASSANDRA

Althea? Why?

AISLING

It was someone special to me.

CASSANDRA

I would want to follow Ivana’s progress.

AISLING

You will.

PHOEBE

Then is settle.

JUNIOR

Shouldn’t we ask Ivana what she thinks?

MELINDA

True. The girl has a word to say.

They all exchange glances.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - SEVERAL TIMES OF THE DAY

A few days pass as some places all over the town are shown.

CUT TO:

EXT. PRESCOTT MANOR - PORCHE - DAY

Cassandra and Prue come. Cassandra is holding Ivana’s hand. Prue holds an envelope.

IVANA

I can’t wait to meet my tutor. Is she good?

PRUE

She has her days, but we believe she will be like a mother to you.

Cassandra touches Ivana’s face.

CASSANDRA

And we’ll keep seeing each other.

OFF TO THE DOOR - It opens and Aisling, wearing normal clothes, comes from it followed by Pandora. Aisling looks at Ivana and smiles.

AISLING

Ivana.

IVANA

You must be Althea.

AISLING / ALTHEA

I am, indeed.

Aisling / Althea lowers down and opens her arms.

AISLING / ALTHEA (CONT'D)

Can you hug me?

Ivana smile and runs into Aisling / Althea’s arms. The others smile.

PANDORA

Hey, Ivana, why don’t we go to see your bedroom. Althea made it look like the one your mother prepared for you.

Ivana and Aisling / Althea break the hug.

IVANA

(surprised)

Really?

Aisling / Althea nods yes.

IVANA (CONT'D)

How did you know how it looked like?

AISLING / ALTHEA

I have my tricks.

CASSANDRA

(to Ivana)

I’m curious too.

Pandora, Cassandra, and Ivana walk into the house. Aisling / Althea smiles, then she turns to Prue.

PRUE

I’ll be watching you, Althea.

AISLING / ALTHEA

Oh, Prue, you’ll have better things to take care off.

PRUE

What do you mean?

AISLING / ALTHEA

You’ll find out soon.

Prue hands her the envelope.

PRUE

Your new identity.

The Oracle takes it.

PRUE (CONT'D)

Althea Prescott.

AISLING / ALTHEA

Why Prescott?

PRUE

You are the adopted sister to Julian Prescott.

The Oracle shoots her a look.

PRUE (CONT'D)

Don’t ask. Just take it. It’s your new life now.

AISLING / ALTHEA

Tell your mother Bay Mirror and all its dependencies including Mirror’s Magazine, will be under her power again. I'll be naming a manager to Prescott Group and soon he'll make it possible to hand it to her. Legally.

PRUE

Already taking care of the business?

AISLING / ALTHEA

Just righting a wrong.

PRUE

See you around, Oracle.

AISLING / ALTHEA

It’s Althea now.

PRUE

Yeah, well, for me you’ll always be the Oracle.

(pauses)

And don’t forget, you need to keep that dungeons closed.

AISLING / ALTHEA

Don’t worry, I’ll make sure your promise to Serena is kept.

Both women smile. Then Prue BEAMS out. The Oracle keeps smiling as she takes a deep breath.

AISLING / ALTHEA (CONT'D)

My new life.

She turns around and enters the house closing the door behind her.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the town at the sound of ‘You Say' by Lauren Daigle.

CUT TO:

EXT. HALLIWELL MANOR - DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Melinda, Piper, and Leo are there.

MUSIC FADES OFF.

MELINDA

It’s my decision.

LEO

But without marrying?

MELINDA

Dad, we are in the twenty-first century. And you and mum did it before marrying.

PIPER

When did this become about us?

MELINDA

I’m just telling you I’ll be moving with Damon. Period.

LEO

You are our only daughter, Mel. I would love to take you to down the aisle.

MELINDA

I know, dad, and you will. Don’t be past century, please.

PIPER

Oh, Mel, he is.

Melinda shrugs.

PIPER (CONT'D)

(to Leo)

Honey, she’s right. She knows what she’s doing.

LEO

It’s my daughter, Piper.

PIPER

Mine too. And she’s made her mind. Forget about it already.

OFF TO PRUDENCE AND ANDY - They ORBS in.

PRUDENCE

Are we late?

PIPER

Not at all. Lunch is almost ready. I can wait to finally celebrate in this house.

ANDY

We are always ready for a celebration.

LEO

Where are the kids?

PRUDENCE

Alex will bring them from Magic School.

PIPER

Has he found Michaela yet?

Prudence and Andy shake their heads.

MELINDA

Well, that’s a job for another day. Let’s just finally have a good time all of us together. It's not always that we get to have all Halliwells gathered together.

PRUDENCE

I couldn’t agree more.

They all smile.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S ROOM - DAY

Wyatt is sitting on the edge of his bed carrying baby Tina in his arms.

SOUND - A knock on the door.

Wyatt glances at the door.

WYATT

Come in.

The door opens and Jo peeks inside.

WYATT (CONT'D)

(surprised)

Jo?

JO

Hi, dad. Can I come in?

Wyatt stands.

WYATT

Of course.

Wyatt puts the baby on the crib.

JO

Am I asleep?

Wyatt looks at her and smile.

WYATT

Finally.

JO

Sorry if I haven’t given you a good night sleep.

Wyatt smiles.

WYATT

I am the one who owes you an apology.

JO

Dad, ---

WYATT

No, Jo, let me finish.

Wyatt walks towards Jo.

WYATT (CONT'D)

I didn’t believe you. I was blind and I blamed you for all that happened.

(pauses)

A father should never doubt his daughter. Please don’t make me forget in the future.

JO

I won’t probably remember any of this, dad.

WYATT

I know.

Jo takes Wyatt’s hand.

JO

I love you, dad.

Wyatt smiles.

WYATT

And I love you too, darling.

Both of them hug each other.

WYATT (CONT'D)

Thank you.

They break the hug.

JO

We still have a few hours before I, Matt and David get back to our time.

WYATT

Speaking about David ---

JO

(complaining)

Dad!

(smiles)

We’ll talk about it in my time, okay?

Wyatt smiles.

WYATT

I just wanted you to know that you have my blessing.

Jo smiles big.

JO

That’s all I wanted.

They both hug each other again.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BIRDE - DAY

Prue BEAMS in. She stares at the person that is waiting for her. A man.

PRUE

I’m curious. What is that you want to ask me.

The man turns around and is no other than Matt.

MATT

You must stop Siobhan from killing my mother.

PRUE

What?

Matt approaches Prue and holds her hands.

MATT

You are the only one I can trust with this, aunt Prue.

PRUE

(astonished)

Siobhan kills your mother?!

MATT

And you must stop her.

PRUE

Matt, when does it happens?

MATT

Next year. 2037. On the day, Phoenix is born.

PRUE

Who is Phoenix?

MATT

My sister.

PRUE

Matt, the future must have changed.

MATT

Promise me.

Matt holds Prue’s hands strongly. Prue swallows.

PRUE

I promise I will do all I can.

Matt nods yes and smiles. He hugs Prue. Prue hugs him back. She is astonished.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

A big table has been placed there. Most of the family is there together; Piper, Leo, Phoebe, Coop, Henry, Paige, Wyatt, Melinda, Damon, Chris, Bianca, Tamora, Pandora, Charlotte, Cassandra, Junior, Melissa, Ethan, Eric, Sebastian, Jo, and David, Christopher, Prudence, and Andy. They are all in groups talking to each other.

OFF TO BLANCHE - She WHITE SMOKES in bringing some bottles of champagne. She glances around.

BLANCHE

I should have brought more bottles.

PIPER

Give me that. I’ll have them in the fridge.

Piper approaches Blanche and takes the bottles. She leaves the room.

CHARLOTTE

Where’s the rest of the family? They should be here already.

OFF TO PRUE AND MATT - The BEAM in and ORB in respectively.

PRUE

We are just here.

JO

Mum.

Jo runs towards Prue’s arms and hugs her. Prue smiles and hugs her back.

JO (CONT'D)

I wish I had more time to get to know you and dad.

They break the hug and Jo looks at Wyatt who smiles at her.

PRUE

I’m sure we’ll have plenty of time.

Wyatt approaches them and nods.

MATT

Yeah, I make Jo’s words my words.

Matt approaches Chris and Bianca and hugs them.

BIANCA

Hey, kiddo. This isn’t goodbye.

Matt breaks the hug.

CHRIS

Yeah, we’ll have a future ahead of us.

Prue and Jo look at them.

OFF TO ALEX - He ORBS in followed by his brothers; Allen and A.J.

Piper comes back into the room.

PIPER

You kids are finally here.

Piper looks at Alex, Allen, and A.J.

PIPER (CONT'D)

You kids are bigger or it's just me who haven't seen you that often.

PRUDENCE

(to her kids)

Oh, that’s is Piper charging more visits.

They all laugh.

CHRIS

(to Alex)

Have you found her?

Alex nods no.

ALEX

I went to all the places she could be, but nothing.

MELINDA

She will appear eventually.

DAMON

(to Melinda)

I just hope is not to kill you.

ETHAN

Wait! She’s a murderer?

MELINDA

Not yet.

JO

But she might become one.

MELINDA

You never liked her.

JO

I won’t ever like her, aunt Mel.

DAVID

Don’t say never, honey.

PAIGE

Oh, let’s keep that matter for later. We are here celebrating before our visitors from the future leave.

PHOEBE

Paige is right.

LEO

Well, why don’t we celebrate already?

TAMORA

Yeah, I say we start with champagne because Sebs and I have an announcement to make.

HENRY

(scared)

Wait, what announcement?

TAMORA

We are engaged.

Everybody smiles, but Henry.

HENRY

What?

SEBASTIAN

I’m sorry, Mr. Mitchell. I wanted to talk to you first, but you know your daughter.

TAMORA

My father doesn’t make decisions for me.

They all laugh. Prue approaches Melissa and leans over her whispering.

PRUE

Now, you and Junior, huh?

Melissa stares astonished at Prue.

PRUE (CONT'D)

Why don’t you make it public now?

Prue smiles. Melissa smiles too. Junior looks at them. Then he turns to the others.

JUNIOR

Well, I have an announcement too.

They all focus on Junior. He and Melissa exchange glances.

JUNIOR (CONT'D)

Melissa and I are officially dating.

PANDORA

(sarcastic)

Really? Like the rest of us haven’t noticed it already!

WYATT

Hey, I didn’t know.

PRUE

Oh, honey, don’t worry. This woman is crazy for Warren men.

MELISSA

Prue!

Prue laughs.

CHARLOTTE

Well, I think that’s great news.

COOP

Please, Charlotte, tell me you don’t have great news for us too.

Charlotte and Eric smile.

CHARLOTTE

Don’t worry, dad.

ERIC

We are living a day at the time, Mr. Coop.

PANDORA

Just like me and Ethan.

Pandora and Ethan exchange glances.

CASSANDRA

You guys are leaving me nauseous.

PRUE

That’s because you need to find yourself a boyfriend, little sis.

Cassandra looks at Matt.

CASSANDRA

Someone told me that once.

(looks at the others)

I might think of it.

SOUND - THE DOORBELL.

WYATT

I’ll get that.

PIPER

I’ll get the champagne. 

PAIGE

We help.

PRUE

Champagne? Don’t bother in bringing a cup for me I don’t feel like drinking alcohol.

WYATT

Why?

PRUE

I just ---

Prue cuts herself up as she feels something. Then she touches her belly.

PRUE (CONT'D)

Oh, my!

WYATT

What?

PRUE

The twins.

JO

What do you mean, mum?

Prue smiles.

PRUE

I think your sisters are on the way.

Jo smiles.

WYATT

What?

Prue looks at Wyatt.

PRUE

Get the door now, honey. We’ll talk about it later.

Prue and Wyatt smile at each other. The others smile.

Piper leaves the room followed by Phoebe, Paige, and Prudence. Wyatt leaves the room as well.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE - DAY

Wyatt walks towards the door and opens in. BEAT. Jessica is there. She looks at Wyatt and smiles.

WYATT

Can I help you?

JESSICA

I was looking for someone.

WYATT

Who?

JESSICA

It doesn’t matter. I think I got the wrong address.

Jessica turns around and leaves while Wyatt stares at her confused. Prue approaches him.

PRUE

Who was it?

Wyatt looks at her.

WYATT

No one.

Then he closes the door.

WYATT (CONT'D)

Prue are you sure?

Prue takes Wyatt’s hand and puts it over her belly.

PRUE

Can you feel it?

WYATT

But how?

PRUE

It is meant to be.

They both smile.

WYATT

But how do you know it is the twins?

PRUE

A mother knows.

They kiss each other.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

This cave is not different from other caves. It is empty and impersonal.

Jared is there standing with her eyes closed, like meditating.

Jessica SHIMMERS in.

JESSICA

It must happen today.

Jared opens her eyes.

JARED

I agree. It’s time for the Power of Nine no longer exist.

JESSICA

Don’t forget what I want.

JARED

I won’t, little sis.

Jared opens up her hands and starts chanting in Latin while Jessica looks at him.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT - LATER

The whole family and friends are there, saying goodbyes to Jo, Matt, and Prue.

PRUE

(to Matt and David)

You guys, use the spell to go back in time.

JO

What about me, mum?

PRUE

I’ll take you there.

WYATT

Prue, do you think that’s a good idea?

PRUE

I feel that I must do it.

BIANCA

We should not mess with Prue’s feelings.

PRUE

Bianca’s right. I just want to make sure everything is ok there.

MELINDA

But you’ll be right back, right?

PRUE

Of course, I will.

WYATT

Just make sure you don’t take too long.

Wyatt kisses Prue. Matt approaches Bianca and Chris.

CHRIS

See ya, son.

MATT

See you, dad.

Chris and Matt hug each other. Then Matt turns to Bianca.

MATT (CONT'D)

Mum ---

He hugs her strongly.

MATT (CONT'D)

I love you.

BIANCA

I love you too, my baby.

They break the hug. Matt looks at Prue who nods.

PIPER

Time to go, guys.

Matt, Jo and David nod.

DAVID

We see you all someday.

Matt approaches David.

MATT

(to David)

Remember what we did last time?

David nods yes. Matt reaches out his hands and David holds them. Matt starts chanting.

MATT (CONT'D)

(chanting)

‘Hear these words,

Hear the rhyme,

Heed the secrets my heart hides.

Move me now,

Send me back,

To my rightful place and time’

Twinkling lights encircle Matt and David and they disappear.

Jo turns to Prue.

JO

Now us.

Prue nods yes and turns to the others.

PRUE

I’ll be right back.

Prue holds Jo’s hand and a heart starts shaping in her heart as she concentrates. They DISAPPEAR.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Jared finished the chanting and the room spins around.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue BEAMS in with Jo. They look around. No one is there.

JO

Did it work?

PRUE

I guess so.

They keep looking around.

JO

Mum?

PRUE

What?

JO

This isn’t the attic I know.

PRUE

Well, time has changed.

JO

This much?

THE CAMERA RUNS AROUND THE ATTIC - The Book of Shadows is not in the pedestal. It seems less organized than before.

PRUE

Well, it definitely doesn’t look like the attic I would want to have in my own house.

JO

Something is wrong.

PRUE

Don’t say that word, dear.

JO

Come on.

Jo walks out of the attic.

PRUE

Jo, wait ---

But Jo doesn’t come back. Prue shrugs and then follows her.

CUT TO:

INT. HALLIWELL MANOR - FIRST FLOOR HALLWAY - NIGHT

Jo comes from the attic with Prue following behind.

PRUE

Jo, wait!

At that moment, Wyatt comes out from his bedroom shirtless. He seems surprised as he sees Jo there.

WYATT

Who are you?

PRUE

Wyatt?

He is not a day older. He looks at Prue.

WYATT

Hey, little cous! What are you doing here and ---

(looks at jo)

--- Who’s your friend?

PRUE

What do you mean what I am doing here? And you know who she is. She’s your ---

At that moment, Jessica comes from the bedroom.

JESSICA

Wyatt, honey, what’s going on?

Prue and Jo are astonished. Jessica looks at Prue.

JESSICA (CONT'D)

Oh, hi, Prue.

PRUE

Who are you?

WYATT

What do you mean, Prue? It's Jessica. My wife.

Prue and Jo are astonished.

PRUE

Come again!

JESSICA

(to Wyatt)

Oh, honey, it’s the hormones. Since Prue got pregnant again, the hormones are messing up with her.

PRUE

What?

JESSICA

Prue, Nate already texted me asking for you. You better go to your husband and son.

PRUE

I don’t ---

Prue isn’t able to finish what she was going to say because Jo stops her.

JO

She’s right, Prue. We must go now.

Prue looks at Jo while the last tries to sign her to shut up. Jo turns to Wyatt and Jessica.

JO (CONT'D)

Sorry to disturb you, guys. We are leaving.

PRUE

But ---

Jo drags Prue out of there quickly. Wyatt and Jessica watch them leave.

JESSICA

That cousin of yours ---

(rolls her eyes)

C’mon, honey. Let’s get back to bed.

Wyatt nods and both Jessica and Wyatt get inside the bedroom.

CUT TO:

EXT. HALLIWELL MANOR - PORCHE - NIGHT

The door opens and Jo comes dragging Prue out of there.

PRUE

Jo, leave me.

Jo turns to Prue.

JO

Don’t you understand that something bad happened, mum?

PRUE

Yeah, something really bad. He didn’t recognize you. This is a very wrong future.

JO

No future at all. We are still in 2036 but in a different reality.

Prue is amazed.

PRUE

What?

JO

That’s the only explanation.

PRUE

Who would ---

JO

That’s what we need to find out. But now, we must get out of here.

Still amazed, Prue nods. Jo starts walking down the stairs. Prue looks at the door opened.

PRUE

Whoever did this is going to pay.

Amazed and mad, Prue WAVES her hand and TELEKINETICALLY she closes the door of the manor and starts walking down the front stairs.

CUT TO BLACK.

END OF THE EPISODE

END OF SEASON FOUR